Art on a Postcard International Women’s Day Auction - Curated by Jo McLaughlin

27 FEBRUARY 2024 - 12 MARCH 2024
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40. Rhona Taylor

Confluence II

Acrylic on paper

2023

A6 (10x15cm)

Original Artwork

Signed on Verso

This auction is raising proceeds for The Hepatitis C Trust

Curated by Jo McLaughlin

This auction has now ended

Art on a Postcard International Women’s Day Auction - Curated by Jo McLaughlin (40/77)

Notes


About 

Rhona Taylor (b.1975, London) is an artist based in Edinburgh with a multi-disciplinary practice that includes painting, site-specific installation, sculpture, printmaking and text.

Education 

2013 
Edinburgh College of Art, BA (Hons.) Painting 

1998 
University of Liverpool, BA (Hons.) German with Dutch 

Select Exhibitions/Awards 

2024

Through Line, City Art Centre, Edinburgh (Nov 2024 to March 2025)

2023    
Incremental, Detail Gallery, Edinburgh 

2022    
Spectrums, The Briggait, Glasgow 

2018     
Perimeters, Upright Gallery, Edinburgh 

2017     
Sea Marks, Patriothall Gallery, Edinburgh 

2014     
New Work, Fine Art Library, Edinburgh 

2014     
Typology, Grampian Hospitals Art Trust, Aberdeen  

2013     
Shed 8, Port Edgar Marina, South Queensferry 

2012 
Solo show, Filmhouse Cinema, Edinburgh 

Statement about Work Submitted

My postcard paintings in the IWD auction relate to a wider body of work looking at colour, light and surface, and exploring the relationship between two and three dimensions. This particular body of work began when I was on residency with SÍM, the Association of Icelandic Visual Artists, in 2022, and I started to explore how place, time and latitude relate to and affect natural light and colour. My wider practice is concerned with light and colour; pattern, repetition and line; as well as time, place, mapping and the navigation of space.   I often make work in response to particular places, in areas that are perceived from the outside as being remote or isolated – especially the sea, coast, islands and coastal communities.

 

You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do. 

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